Divine Comedy - Dante and Virgils Relationship in Canto XIV of Dante’s

Dante and Virgils Relationship in Canto xiv of Dantes Inferno In Canto XIV of Dantes Inferno, Virgil describes the statue of the nonagenarian Man of Crete. Dante uses the Old Man of Crete as a metaphor for Virgils legacy in order to elucidate the character of Dantes and Virgils relationship.In the beginning of the metaphor, Dante cargonfully and methodic eachy illustrates the grandness of the Greek empire and Roman civilization. Mount Ida was once chosen, Virgil explains, as a rely cradle/ by nandu for her son (XIV.100-101). According to Roman mythology, Rhea gave birth to Zeus, who ultimately became the father of all Greek gods and mortal heroes and served as the cornerstone of Greek civilization. Crete, thus, is the cradle or birthplace of Greek civilization. In the Aeneid, Crete is also the birthplace of the Roman civilization, a concept that is important because it already begins to point to the greatness of Virgil and his homeland. The position of the statue of the Old Man provides a unreserved glimpse of the status of capital of Italy and the legacy of Virgil. Standing straight and good (XIV.104), the Old Man looks at Rome with his back turned toward Damietta (XIV.104-105). The statues back faces Damietta, an ancient city in Egypt. Whats more important, though, is that the Old Man is facing Rome. This precise detail makes it clear that Dante the poet wants his contemporary readers to eff that Rome is the direction towards which society is converging. The image of the statue looking at Rome as if it were his mirror (XIV.105) drives this point further. Within Rome, the Old Man sees a reflection of all of his characteristics Rome is a natural extension of all the great aspects of the Greek culture, including... ...to the Romans. Virgil is the conduit through which the tradition of Homeric poets and Greek literary works flows. On the other hand, Dante also seems to be describing the deterioration of Virgils legacy the Old Man is of choicest iron/ e xcept for his right foot, made of adust clay and he rests more on this than on the left (XIV.109-111). Furthermore, downwardly that fissure there are tears that drip (XIV.113). The tears are metaphors for the flowing away of Virgils legacy. The tears form the rivers of hell, which suggests that Dante is using Virgils description of hell as a basis for his own vision. By doing so, he builds his reputation but takes away from Virgils fame. Dante must resist on his own feet, which is the reason why the Old Man is angle of inclination on his crumbling, baked clay foot. Dantes challenge, then, is upholding Virgils legacy plot of ground building up his own.